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Practice in Public Makes Perfect: how playing for your fans makes you better

today4 Gennaio 2024 72 10 3

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Price, 57, has played music nearly her whole life, starting with piano when she was five years old. But in the fall of 2009, the guitar was still something of mystery to her. She had been playing for only a couple of months and was struggling a bit with the new challenges. Yet, instead of holing up in her living room to practice until she felt more confident, she did something totally unexpected: she packed up her guitar and sheet music, headed into downtown Los Angeles, and set up outdoors to work through the new techniques.

Twice a year, Active Arts, a series of programs run by the Music Center in Los Angeles, invites recreational musicians to the arts center’s campus for a 30-minute outdoor practice session called Public Practice. There are no rules about what participants can and cannot play, and mistakes are more than welcome.

“I looked at it as a way to make the time to practice, because I’m always so busy,” explains Price, a legal secretary. Having participated in Public Practice three times, she’s found that bringing her music outdoors helps her focus. “Playing out in public encourages me to approach things a little bit differently. Even though it’s not a performance, knowing that I might have observers helps me to organize my practice session,” she says.

On the other hand, Eric Oto, a saxophonist and two-time participant, has occasionally found himself sidetracked during outdoor sessions–but in a good way. “The acoustics were so fascinating that I ended up, for a little while, just strolling around the campus plaza listening for different sounds,” says the 48-year-old lawyer. “Hearing the sounds bouncing off of the granite, concrete, and everything else outside was really interesting, and it got me to think a lot more about sound production, rather than just technique.”

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Radio Eolie station features a mix of electronic, downtempo, lounge and classic disco dance, as well as DJ sets and exclusive mixed sequences of chill out, lounge and deep house music.



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This week we have a very special edition of our Radio Show. Our guest this week is the DJ’s DJ, one of our favorite DJ’s and producers, Danny Tenaglia. Since the early 90’s, Danny is one of the main artists regarding House and Techno. His legendary 12-hour marathon sets in Miami, during the annual Winter Music Conference, are on the books of dance music history. Danny’s releases that hit the top charts all over the globe are to many to mention and his sound has been influencing generations of DJ’s and producers, as well as clubbers all over the world in the last decades.
This set was recorded last July 27th at Sound Waves Festival, one of the best electronic Festivals in Portugal, with a massive line-up that also included Nicole Moudaber, Umek, Chus & Ceballos, Art Department, Ben Sims, Carlos Manaça, and a lot of other Artists.

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Nasci em Lisboa no ano de 1963 e cedo comecei a apresentar o meu trabalho de DJ numa vertente amadora nos finais da década de 1970, em festas de garagem, aniversários e em pequenos clubes. Numa época em que os DJ’s em Portugal ainda eram figuras desconhecidas, seguia o trabalho de Lerry Levan, Laurant Garnier, Paul Oakenfold, Tony Humphries, Bob Sinclair, David Morales e Carl Cox. Por volta do ano 2000 pelas vicissitudes da vida suspendi este projecto, que foi relegado para um outro plano de importância, sem contudo deixar de seguir as novas tendências musicais e os novos DJ’s que entravam na cena da dance music. Em 2107 decidi pegar neste projecto adormecido e fazê-lo crescer, apresentando o meu trabalho a todos os que gostam de vibrar com os ritmos da mais recente música de dança, ou de antigos êxitos dos anos 70, 80 e 90 com novas remisturas. Tendo como base a House Music, apresento um trabalho que passa obrigatoriamente por alguns subgéneros tais como Soulful, Nudisco, Jackin House, Afro House ou Deep House, tornando assim cada set uma viagem pelos diferentes géneros da House Music. ​ Passei como DJ convidado por alguns dos locais icónicos da noite lisboeta, tais como o Microclub ou o Suave e colaboro com algumas web radios das quais destaco a Rádio Lisboa.

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Leo Mas | The legendary Italian DJ | Tuesday at midnight on Radio Eolie

If you were lucky enough to be at Amnesia in Ibiza in the late ’80s, chances are you limbered up to the sound of Leo Mas. Between ’85 and ’88, he and Alfredo set the agenda for the Balearic sound, with Mas’ expansive warm-up sets the blueprint for the genre-defying selector culture now blossoming in the post-Discogs world.

Something of a musical polymath, Mas’ record room is a meticulous chronicle of a voracious collector, spanning a huge range of eras and scenes, from avant-garde jazz to contemporary house and techno. As radical with his politics as he is with his records, it’s nothing less than you’d expect from someone’s whose first 7″ was the soundtrack to an Italian ’70s erotic fantasy film.

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“Sorry, I’m not a deejay”: si presenta così Giorgia Angiuli, producer di Monopoli e ora di casa tra Berlino e Firenze.
È tra gli italiani più interessanti dell’ultimo periodo prima con il progetto audiovisivo We Love, approdato nel 2010 con un album sulla BPitch di Ellen Allien e poi dal 2014 ha iniziato a far parte della label di Kevin Sounderson, KMS.
Col suo look colorato e il suo stile sbarazzino, smanetta su Roland, sintetizzatori e fa musica con vecchi giocattoli trovati chissà dove riuscendo a creare un’atmosfera sognante, tra suoni di un mondo fatato, cassa dritta e una voce sintetica.
Potremmo definirla “elettronica da camera” tanto è avvolgente e calda.
No, non è una fiaba. Siateci  martedì, MERCOLEDì, venerdì, sabato e domenica a mezzanotte su Radio Eolie se non volete farvelo raccontare.

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